That warmth is what makes 50 FIRST DATES a nice surprise. Family is also exalted, as Lucy’s sticks close to her, and Henry gets to know them well before he pursues a relationship with her. It is a demonstration that putting yourself first is unsatisfying and never worthwhile. Unselfish love for others is a strong part of the movie’s message, as Lucy’s father and brother have also committed their lives to helping Lucy.
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Henry’s continuing sacrifice and effort for Lucy make this movie truly romantic and leave the audience feeling warm. He also develops methods to help her cope with her affliction, and he reorders his life so that he can love and care for her, forsaking his old ways. He gets to know Lucy’s family so that he can help them take care of her. Instead of running away from the difficult situation, Henry confronts and embraces it. It’s at this point that someone explains to Henry her memory loss. When he goes to meet her the next day, she thinks he is a stranger and gets people to run him out of the restaurant. Her charm captures him, and he finds himself wooing her unlike anyone before. When Henry meets Lucy in a restaurant, he flirts with her like he might with any attractive woman. Although Henry changes this practice midway through the movie, it is never rebuked or regretted, making this movie’s message to young people a strongly negative one. Henry Roth is purportedly famous across the country for bedding women, and the secondary characters seem to always be scrambling to find an overnight bedmate. Most disturbing are the destructively casual attitudes toward premarital sex and male-female relationships. Notions typical of romantic comedies inform the characters’ actions for example, “white lies” are preferred to the truth, and affection is more powerful than morality. The foul language is frequent but mostly light. There are indeed lots of crude jokes about bodily functions and body parts. If this looks like another typical Sandler comedy like HAPPY GILMORE or BIG DADDY, the impression is only half correct. A wonderfully adept, sensitive performance from Adam Sandler drives this transformation. Henry’s transformation from playboy to earnest caregiver is heartening. His relationship with Lucy is not simple, however, because she has a rare affliction that causes her to forget each day’s events when she falls asleep, so she never remembers meeting or seeing him.Īlthough the movie has plenty of slapstick elements reminiscent of other Sandler movies, the relationship between Henry and Lucy is surprisingly sweet. Once he meets Lucy Whitmore, played by Drew Barrymore, however, his cavalier attitude towards sex and women changes and he becomes a new person.
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Content:ĥ0 FIRST DATES is about Henry Roth, Adam Sandler’s character who lives in Hawaii and seduces vacationers in a serial pattern, sleeping with them before they go home and then moving onto the next one.
50 FIRST DATES has a warm, strong heart with some redemptive elements and is often very funny, but is marred by frequent foul language and sexual elements. There is an abundance of sexual innuendo and discussion, and some characters seem to always be scrambling to find new bedmates – a very negative to be sending young people. Regrettably, however, this movie has casual attitudes toward premarital sex.
Although the movie has plenty of slapstick elements reminiscent of other Sandler movies, the relationship between this couple is surprisingly sweet, and Henry’s transformation from playboy to earnest caregiver is heartening, with an adept, sensitive performance from Sandler. His relationship with Lucy is not simple, however, because she has a rare affliction that causes her to forget each day’s events after sleeping, so she never remembers meeting or seeing him. Once he meets Lucy Whitmore, played by Drew Barrymore, however, his cavalier attitude toward sex and women changes, and he becomes a new person. 50 FIRST DATES stars Adam Sandler as Henry Roth, who lives in Hawaii and seduces vacationers in a serial pattern, sleeping with them before they go home, then moving onto the next one.